I recently had the privilege of flying an Arri 235 for a few days for a project directed by Eric Lindstrom, and shot by DP Sam Garr.





I always wonder if the next film job I sign up for will be my last, and hope not. Kodak is still producing beautiful stocks that see the world more like our eyes do, the modern cameras are an ergonomic dream to balance, and everyone comes with their A game.

Another highlight was shooting a laser-clean exterior title sequence with C300 and gyros.